08.11.2024
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The Chancellor of the Exchequer, Rachel Reeves MP, has unveiled theĀ 2024 Autumn Budget. It contains a number of tax and spending measures that could affect the health of the arts in the UK, and all of our access to culture.
The Government has announced that it will increase overall public spending, but higher spending on the arts and culture is far from guaranteed.
The DCMS is the main public funder of the arts in the UK central government. It provides the core funding for organisations like the national museums and galleries, Arts Council England, Historic England, the British Film Institute and the British Library.
Last year, its total departmental budget wasĀ Ā£2.07bn.
This year, the DCMS budget will now beĀ Ā£2.37bn. Compared with the plans set by the last Government at the Spring Budget, this is an increase of Ā£100m for day-to-day spending and Ā£194m for capital spending.1Ā However, adjusted for inflation, day-to-day spending is projected to fall by 1.5% this year.
Next year, the total DCMS budget will decrease toĀ Ā£2.28bn. Day-to-day spending is projected to fall by 3.5% in real terms.
This means an averageĀ 2.5% cut in day-to-day-spendingĀ andĀ 16.2% increase in capital spendingĀ between 2023-4 and 2025-6, in real terms.
It is disappointing to see the DCMS receiving real-terms cuts in day-to-day spending compared with other departments.
We do not currently know to what extent the DCMS will pass on funding cuts or increases to the arts. However the Government has committed:
Taken together, local authorities are the biggest public funders of culture, heritage and libraries in England ā however, their investment has practically halved since 2010. More and more councilsā support for the arts is being jeopardised by funding and demand pressures on local services, particularly social care.
The Chancellor has committed to āsupport local authority services through a real terms increase in core local government spending power of around 3.2%, including at least Ā£600 million of new grant funding to support social careā.
The Local Government Association has said that this will āhelp meet some ā but not all ā of the significant pressuresā on councils, describing the Budget as āa step in the right directionā.2
At the Spring Budget, the then-Chancellor Jeremy Hunt announced Ā£100m of funding for culture projects, as part of the third round of the āLevelling Up Fundā. This was due to benefit organisations including the National Railway Museum in York, the Poetry Centre and British Library North in Leeds, Venue Cymru in Conwy, V&A Dundee and National Museums Liverpool, as well as the NI Executive andĀ 9 placesĀ āmost in need of the kind of investment that the Fund providesā.3
The Autumn Budget reveals that āto ensure investment is focussed on the growth mission, the government is minded to cancelā funding for these projects, but āwill consult with potential funding recipients before making a final decisionā.
It is very disappointing to see such a large investment put at risk. The Campaign for the Arts believes that local cultural access can and should play an important role in delivering the governmentās growth mission.
The UK Shared Prosperity Fund (UKSPF) was established in 2022 as a domestic replacement for EU structural funds withdrawn after Brexit. One of its aims was to increase āengagement in local culture and community across the UKā, by giving funds directly to local places. Ā£2.6 billion was committed over a three-year period.
The Autumn Budget suggests that the UKSPF will be phased out the year after next. It will continue āat a reduced level for a transition year by providing Ā£900 million for local authorities to invest in local growth, in advance of wider funding reformsā.
The reduction of this fund, and its planned removal without a clear replacement, is very disappointing, especially at a time when local councilsā own funding of culture projects is under pressure.
Outside of England, most decisions on public spending for the arts and culture are taken by the devolved administrations. They receive block grants from the UK Government, based on the āBarnett formulaā, as well as targeted funding.
The Chancellor announced that in 2025-26:
We continue to call on the Scottish Government toĀ deliver on their promised Ā£100m increase in cultural investment, following several U-turns and growing financial precarity for Scotlandās artists and cultural organisations. Responding to the UK Government Budget, Culture Secretary Angus Robertson said: āSorry to see cut to DCMS revenue budget. In Scotland, funding now rising towards Ā£100m additional annual spend for Cultureā.4
Between 2007 and 2017, the Government introduced eight ācreative industry tax reliefsā which apply across the UK. They incentivise new work by reducing Corporation Tax on companies producing films, animation, high-end and childrenās television, video games, theatre, exhibitions and orchestral concerts.
At the 2024 Spring Budget, the then-Chancellor Jeremy Hunt announced additional relief for visual effects costs and a new relief for independent films. He also announced that reliefs for theatre productions, orchestral concerts and museum/gallery exhibitions would be set permanently at 40-45% from April 2025.
At this 2024 Autumn Budget, the Government has committed to continuing the ātax reliefs for world-leading creative industries, which will provide Ā£15 billion of support over the next 5 yearsā, and to bringing the reliefs proposed at the Spring Budget into legislation.
This is very welcome, not least because the total amount of creative industries tax relief paid by the UK Government has been growing considerably. In their assessment of the Autumn Budget, the Office for Budget Responsibility noted ācompany tax credits have been revised up by an average of Ā£0.7 billion each year. This is due to higher-than-anticipated creative tax reliefs outturn, particularly driven by high-end TV reliefā.5
However, the scale and reach of tax relief varies significantly across the creative industries.Ā The State of the ArtsĀ report showed that investment through the tax reliefs vastly exceeds the DCMSā grant-in-aid sponsorship of the moving image, but for other art forms the opposite is the case.6
The government has allocated an extra Ā£2.3 billion to the core schools budget for 2025-26. This means real-terms spending per pupil will rise to around Ā£8,100 ā just above the high-point of Ā£8,000 in 2010.7
Funding pressures on schools have been cited as a major driver of reduced arts opportunities for children and young people.8Ā The Campaign for the Arts hopes that this funding increase helps to address this, and that the governmentās forthcoming curriculum review will ensure a quality arts and cultural education for every child.
The biggest revenue-raising measure in this Budget is a higher rate ofĀ employersā national insurance contributionsĀ (NICs), and a lower threshold at which employers start paying them.
Official statistics show that self-employment is much more prevalent in the cultural sector (48% of all jobs) compared with the UK economy as a whole (14% of all jobs).9Ā Therefore, because employersā NICs only apply to employed jobs, the cultural sector may be less affected than other sectors by the changes to employersā NICs.
However, amongst those who are employed, median earnings in the cultural sector are below the UK average.10Ā Analysis by the Institute for Fiscal Studies has shown that the lower the pay of employees, the bigger the change will be in the cost to employers. This is largely because of the lower salary threshold at which employers will have to start paying NICs. In this respect, the cultural sector may be hit harder than others by the changes to employersā NICs.
More broadly, the measure has the potential to incentivise less employment or the shifting of current employees into self-employment. A recent study by the University of Essex for Arts Council England reported that freelance workers face major issues with pay, progression and wellbeing in the creative and cultural industries.11
Business ratesĀ are charged on most non-domestic properties, and are currently a key source of funding for local government.12
During the pandemic, the Government introduced relief for retail, hospitality and leisure businesses in England, including cinemas and music venues. At the 2022 Autumn Statement, the then-Chancellor Jeremy Hunt extended the relief and increased it from 50% to its current rate of 75%.13Ā At this 2024 Autumn Budget, Rachel Reeves has extended the relief again but reduced the rate from 75% to 40%.
In their manifesto, Labour pledged to āreplace business rates in England with a revenue neutral system that levels the playing field between online and high streetsā. The Chancellor indicated that there will be major reform from April 2026, but at least until then, cinemas and music venues will have to pay more in tax.
According to the Music Venue Trust, 76 grassroots music venues closed in 2023, with 42% of them citing financial issues.14
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